My point exactly ! He is a different artist If u think any less of yourself don’t blame it on the next person who don’t ! 😤 set it up I love kendrick! that’s not just for kendrick that’s to anybody they put in front of me, and ask me that same question 💨 what u want me to say lol ? It should be your attitude too. THAT QUESTION ? HOW MANY TIMES I GOTTA PROVE MYSELF BEFORE I GET MINE 🌊 IF WE JUST TALKING ABOUT ANTHEMS, !! ME VS KENDRICK HIT FOR HIT ! I BELIEVE I CAN GO NECK TO NECK !! I BEEN MAKING HITS FOR A LONG TIME ! IT AINT MY FAULT I BELIEVE IN MYSELF.
#RELEASE DATE OF FRENCH MONTANA ALBUM SERIES#
This assertion probably would not have gotten a whole lot of attention if French had not felt compelled to defend his statement in a series of tweets last night:
Here's the clip in question: French Montana says he has more hits than Kendrick Lamar.įull Interview: /5jNNaqs3pu But if you was to put us on the festival stage, I would outshine him because I have more hits than Kendrick Lamar.
I might outshine him - not because I’m a better rapper or whatever it is. You could put somebody like Kendrick Lamar next to me on the same stage at a festival. In a Skype interview with Complex earlier this week, French claimed that he has “more hits” than Kendrick Lamar and that he’d “outshine” Kendrick if the two ever played the same festival stage: Kent’s often sparse, echoey vocals add another layer of mystery to this murky sonic world, complimenting the ongoing aural headrush.įive years in the making, Lustful Sacraments is a tenebrous lament to pulling yourself back from the brink, which sees PERTRUBATOR find peace in the gloom and rebirth in a mass of sombre, yet stimulating electronic sound.The big conversational topic on the rap internet today has been the spectacle of Bronx rap star French Montana making some extremely confident public statements. “Excess” buzzes with ominous unrest for six minutes, “Death Of The Soul” is a pounding, shuddering anti-anthem, whilst the visceral grinding synths that announce “Messalina, Messalina” are spliced with his evocative crystalline guitar riffs.
Comparisons to Drab Majesty, Depeche Mode, Kraftwerk and Nine Inch Nails are all fair and flattering, but Kent has cautiously constructed this record to propel listeners into PERTURBATOR’s new cinematic ether, whilst retaining his trademark heaviness.īlending elements of classic post-punk, goth, and heavy techno rhythms, Kent’s offerings range from oppressive to enlightening, often within the same track. Engineered and recorded almost entirely by Kent himself, Lustful Sacraments is a sonic purge of dread and defiance in the face of genre pigeon-holing. Hangman's Chair), Lustful Sacraments is designed to dissolve the synthwave shackles Kent felt his previous sound was constricted by. Whilst the album’s context may be rooted in “bad habits, dissatisfaction and addiction,” PERTRUBATOR aka James Kent makes space for euphoric catharsis too, explored via his crystalline guitar riffs, smoky synths and pounding drum sequences.įrom the hazy opener “Reaching Xanadu” - a title which overtly hints at a new sonic world - to the eerie eight minute closer “God Says” (ft.
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